CAPITOL LETTERS (Ep. 4): The Smithsonian Republic of Knowledge
Patronage is living proof that exceptional public goods can be produced, at least in part, privately. And this goes against the emphatical treatises on economics that theorize and preach the contrary. And when the theory seems far too dry for a journalistic incursion, history comes with (un)sweet(ened) evidence. In the summer of 1829, a certain James Smithson had bitten the dust in Italy, the one from whose glorious gens, that of ancient Rome, Gaius Maecenas descended, diplomat and advisor to the emperor Octavian Augustus and documented as, indeed, the first “patron of the arts”. Smithson, a respected British chemist and mineralogist (after whom zinc carbonate was dubbed Smithsonite), an early member of the Royal Society of London (only a year after graduating from college), had left behind him a will with a strange stipulation: should his only grandson die without issue, his fortune would go the way of the United States of America “to found at Washington, under the name of the Smithsonian Institution, an Establishment for the increase and diffusion of knowledge”. Okay, but what’s the catch? Smithson had never set foot in America! More

















